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Look Into My Eyes

by Peter Masters

Look Into My Eyes

by Peter Masters


"Masters' approach to the topic is at times gentle and humorous and makes you comfortable with using it."

"... a step-by-step guidebook which teaches the individual how to use hypnosis to heighten arousal."


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How to use hypnosis to enhance your sex life


Look Into My Eyes - Role-Playing

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Look Into My Eyes



How To Use Hypnosis To Bring Out The Best In Your Sex Life

Author: Peter Masters


Table of contents

"Masters' approach to the topic is at times gentle and humorous and makes you comfortable with using it."

"... a step-by-step guidebook which teaches the individual how to use hypnosis to heighten arousal."

"One of the most valuable aspects of this book, in my opinion, is the copious inclusion of scripts."

(Extract from Look Into My Eyes, Chapter 12 - Role-Playing, pp. 139 - 142)

MANY fantasies can be really, and I mean really, hot; and having a good time with a fantasy not unreasonably leads you into thinking: maybe that same fantasy would be even hotter in reality! Many couples work together to bring their fantasies to life; their bedroom, playroom or lounge-room becomes a theatre. The man may be a boring accountant during the day but at night he becomes - for an hour or two - Blackbeard the pirate, raping and pillaging from one side of the room to the other. His wife becomes a helpless female, captured from her village and subjected to Blackbeard’s whims.

Role-playing lets you become someone else for a while. Maybe - if you’re a man - someone stronger, more manly, more irresistible, even more “well-equipped.” Women can become svelte models, prostitutes, Amazon princesses , stern teachers, helpless prisoners, famous athletes and so on. These roles let us escape from our own self-image for a while and become someone that we might like to be within the confines of the walls of our own home.

Combining role-play with hypnosis can allow your partner to become more deeply involved in their role, to experience it more deeply. It generally requires a number of things: it requires that your partner can go into a fairly deep trance because they are going to be living this role while they are still in a trance, and it requires that both you and your partner have good imaginations. Firstly you need a good imagination to help build the character for your partner, and then they need a good imagination to fill in or round out the character. It also requires a bit of theatre.

The final thing that hypnotic role-playing requires is that you be experienced at working with your partner while they’re in a trance. This is definitely not the sort of thing you want to try after you’ve hypnotised your partner just once or twice. You must be comfortable and sure about being in control. Trying to play your part as well as guiding your partner is really difficult. If you don’t have the practice and the experience, the scene can end up simply falling apart with both you and your partner feeling frustrated (in more ways than one!) and wondering why the sparks didn’t fly.

In the chapter on fantasies I gave a warning about frightening or scary scenes; I want to repeat the warning here. Avoid scenes and roles which can frighten your partner. Someone in a trance can become so involved in their role that things like imagined snakes, spiders, rape, heights and anything else potentially terrifying can become real with bad short- and long-term consequences.

The key to having a good role-playing scenario work is in the planning. It is far beyond the scope of this book to give you a complete script for each of the examples that I’m going to give. Instead I’m going to talk about preparations and help you with the words which can set the scene.

It’s hard for even the best actors or actresses to enter a role in just an empty space. The more props they have that match the role, the more people they have around them whose behaviour (role-playing) supports their own role, the easier it is for them to become their character. The same applies to you and your partner. Hypnotising your partner and telling them that they are a French maid, for example, will work a whole lot better if they are dressed to suit. Or having them play a teacher will work better and they will be more involved if there is a blackboard or whiteboard present, a school desk or two, and you are dressed in school uniform.

Start planning your scene by deciding how the scene will start, where it will go and how it will play out at the end. This means physical location, mood, sexual activities and feelings. Look at what turns each of you on, look at the props you have that might be useful, consider how long you have to play, and look at the space you have to play in.

Also look at both the character which you will play and that of your partner. It is important that you understand, if nothing else, the outline of these characters. It is not enough to say that your partner will be a teacher; you need also to say, for example, that the teacher is very strict, a disciplinarian, has had a shitty day because there’s no coffee in the staff-room and that he is in no mood for any playing around in class.

The scripts and scenes that I describe below are here to give you ideas. You know your sex life, yourself and your partner far better than I, and I can’t hope to discuss all the zillions of possibilities and combinations of tab A fitting into slot B here. Let the following serve as springboards for your imagination.

I always feel that ending a role-playing scene can be a bit ugly or rough if you do it by saying something like, “OK. That’s it! The scene’s over. Lie down, relax and go back into a deep trance.” I much prefer to have a key-word, or trigger, that ends the scene. It avoids confusion and the prepares your partner for the end of the scene nice and early.


Let’s start with something simple and which requires very little in the way of preparation. The idea is that your partner is your sex slave, ready to serve and please you sexually in any way and at any time you choose.

The following script tells your partner that they will be your slave when you count to three, and that the scene will end when you say the word, “conundrum.” I’d suggest repeating the script a few times to your hypnotised partner before doing the count...

OK. I’m going to count to three in a moment. When I reach three you’ll open your eyes and you’ll no longer be Daphne, my wife; instead you’ll be Selina, my obedient, energetic and enthusiastic sex slave. Your main goals in life will be serving me - touching me, massaging me, feeding me and attending to me in any way I wish, and being as pleasurable and as satisfying to me as possible.

You’ll know that I own you, that you are my property. You’ll be happiest when you know that I’m enjoying you, and when you’re doing the tasks and duties I give you the best that you can. You’ll find great pleasure and satisfaction in your service to me and in knowing that you are being used as a slave should be.

You’ll be my deeply committed slave when I count to three and you’ll remain my slave until I say the word, “conundrum.” When I say the word, “conundrum,” you’ll no longer be my slave; you’ll be Daphne - my wife - again and you’ll sit down in your chair2 , close your eyes, relax and go back into a deep trance. One... Two... THREE!